Place & the Writer

PlaceandtheimaginationOn Thursday 5th May, three Clapham writers, Elizabeth Buchan, novelist, Dr Matthew Beaumont, literary historian and Julie Anderson, your blogger, gathered at Omnibus Arts Theatre, Clapham to discuss ‘Place and the imagination – how location impacts upon the writer’.

There was only a small audience, not surprising for a paid-for event at two o’clock on a Thursday afternoon, with the sun shining outside on the Common for what seemed like the first time in ages.  Nonetheless, the people who were there were interested in the subject and had lots of questions – which prompted more discussion.  Matthew’s phenomenal erudition is worn lightly and Elizabeth is so experienced at this sort of event that there was little for your blogger to do but make the occasional link.

A little research prior to the event had yielded lots of information about writers of Clapham since the sixteenth century, 20160505_131633_resizedsome 55 fiction writers of relative fame. These included some eminences, such as Samuel Pepys, E.M.Forster, Kingsley Amis and J.K.Rowling, while others were more obscure.   There was a Clapham writer on the ‘Mayflower‘.  He, Edward Winslow (1595 – 1655 ), who resided in Clapham, along with other Puritans, went off to the New World where he proceeded to write his home thoughts from abroad and eventually became Governor of Plymouth Colony.

Dissent and dissenters formed a large part of our discussion.  Elizabeth argued that dissent and the freedom and independence of thought associated with them was the presiding genius, or genius loci, of Clapham, the spirit of the place which energised writers. She cited Winslow and the, later, Clapham Sect writers as examples. Matthew concurred, placing Clapham in the wider context of London.  One 20160420_124152_resizedkey element of this was the Common itself, an open space of commonly owned land which was protected from developers.

Lizy cited Matthew’s description of ‘militant pedestrianism’ in the 18th and 19th centuries, a phenomenon which is recurring today, witness the attempts of societies like the Clapham Society and its members to limit the use of the Common by private events companies, which pay rent to Lambeth but appropriate large swathes of the land with hoardings and fences for their own use.

We also discussed the more recent phenomenon of psycho-geography.  Defined, by Georges Debord ( of the Situationist International of Paris in the 1950s, where psycho-geography was first named ) as ‘the study of the specific effects of the geographical environment (whether consciously organized or not) on the emotions and behaviour of individuals’.

Modern psycho-geographers include Iain Sinclair, Will Self and Peter Ackroyd ( and the London Psycho-geography Association, though Ackroyd, for one, has dissociated himself from this association ). Peter Ackroyd has said – ‘I truly believe that there are certain people to whom or through whom the territory, the place, the past speaks. … Just as it seems possible to me that a street or dwelling can materially affect the character and behaviour of the people who dwell in them, is it not also possible that within this city (London) and within its culture are patterns of sensibility or 20160503_172419_resizedpatterns of response which have persisted from the thirteenth and fourteenth centuries and perhaps even beyond?’

Thus, the influx of the monied classes, many bankers, into Clapham in recent years fits with Ackroyd’s theory, it dovetails with the area’s existing history.  The Thornton, Hoare and Barclay families were part of the wealthy influx in the 18th century, who formed the nucleus of the Clapham Sect and, eventually, changed the world.  Even Wilberforce himself was from banking stock. Will today’s newcomers work for the same level of social reform, I wonder?

Matthew read a wonderfully onomatopaeic passage capturing the soundscape of the old walled medieval city of London and Elizabeth read a very moving passage from the opening of her new novel.  There were lots of questions from the floor and a good group discussion ensued. Then, it was all over.  Hands were shaken, books were signed and everyone went on their way – often to another Festival event.  Your blogger was relieved that it had gone so well.

The leaflet accompanying the event can be found here – Leaflet1.  The Clapham Literary Festival continues today and tomorrow, the remaining Programme can be found here.

A version of this article first appeared during the Clapham Literary Festival 2016 on The Story Bazaar web-site


About Julie Anderson

J J Anderson is a south London writer.
This entry was posted in Clapham Literary Festival 2016 and tagged . Bookmark the permalink.

7 Responses to Place & the Writer

  1. Pingback: The Countdown Begins | claphamwriters

  2. Pingback: Crime Land | claphamwriters

  3. Pingback: Clapham Book Festival 2017 | claphamwriters

  4. Pingback: Walls Have Ears | claphamwriters

  5. Pingback: Preparations | claphamwriters

  6. Pingback: Out and about | claphamwriters

  7. Pingback: Walk the Walks | claphamwriters

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s